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Box Office Collection of Hindi Bollywood Blockbuster Movie Sholay released in 1975 was the first movie to generate revenue Rs 10 Crores INR at the Box Office. Soon, it crossed Rs 15 Crores INR and broke all the existing records on the box office. Have you ever wondered what was the box office collection of the superhit blockbuster Hindi cinema 'Sholay'! The first Hindi Bollywood Movie which crossed the Rs 1 crore milestone was ' released in 1943. And the first film to cross Rs 5 Crores business at the box office is ' released in 1960.

And Sholay was the first movie to earn Rs 10 Crores at the Box Office and also, it crossed Rs 15 crore box office collection and broke all the existing records.Sholay Movie Poster. Sholay is an exceptional superhit Hindi film which not only broke all the existing commercial cinema records but also created new records. This film deals with the theme of revenge. Thakur, a retired police cop, hires two thugs Jai and Veeru to take revenge from badly reputed outlaw dacoit 'Gabbar Singh'. In 2002, British Film Institute conducted poll for 'Top 10 Indian Films' of all time, and Sholay was ranked first.

And also the judges of 50th Filmfare Awards named it the Best of Film of 50 Years.Sholay Box Office Collection. Box Office India estimated the total amount of tickets were sold 10,00,00,000. The film was also released in Soviet Union in 1979. The film was also released in China in 1988.None of the Bollywood movie made close to Rs 10 Crore Box Office collection for next six years of Sholay release. Kranti film directed by Manoj kumar and released in 1981 made Rs 10 crore at the box office.

Sholay remained at its top position at the box office for 19 years until Hum Apke Hain Kaun released in 1994.Initially, this movie was declared a commercial disaster. But gradually when viewers of the movie spoke about this, it picked the growth and sales of tickets. Sholay ran for five and half year 286 weeks at the Minerva theatre in Mumbai. Sholay did not do good business in its first weeks of the release of the film.

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.SOME SPOILERS. Sholay, directed by Ramesh Sippy in 1975, remains the most successful Hindi (perhaps Indian) film ever made. While a couple of films have made more money and recently Dilwale Dulhaniya Le Jaayenge surpassed Sholay's unprecedented 5 year run at Minerva Theatre in Bombay, Sholay leads by dint of the sheer impact it made on not just Indian cinema, but popular culture in general. The film is a loose adaptation of the Magnificent Seven (itself based on Kurosawa's Seven Samurai) and borrows freely from other movies - Hollywood or Indian.

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However, its adaptation is uniquely Indian and it remains, to my mind, immeasurably superior to the movies it is based upon. The story is about two crooks, Jai and Veeru, in rural central India - a region ravaged by dacoits (outlaws) - who are hired by a village landlord, Thakur to catch Gabbar Singh- a notorious outlaw - alive. Jai is the quiet reflective crook, while Veeru is loud, boisterous, impetuous, and a lothario to boot. Veeru falls in love with Basanti - a garrulous taangewali (horsecart driver) while Jai silently wooes the Thakur's widowed daughter-in-law, Radha.SPOILER ALERT.SKIP THIS SECTION IF YOU HAVE NOT SEEN THE MOVIE It appears that Gabbar had been arrested by the Thakur while the latter was a police inspector and had exacted revenge upon escaping jail by massacring the Thakur's family. The Thakur's attempt at evening scores was met by capture and by the chopping off of his arms in a chilling scene. Hence, the need for mercenaries.SPOILER OVER.

Getting the bandit and the eventual shootout is the climax of the film, but it is greater than the sum of its parts. Each character, including minor ones like the jailer, the braggart lumber merchant (Surma Bhopali), the Maulvi, the family servant, have been well fleshed out and have significant parts - at the very least they entertain.

The script tends to meander, but Sholay was not meant to be a simple revenge film - it conveyed a larger picture of villages, the dacoit menace so real then and even now. The film was shot in South India at Ramnagram rather than at the place where it was set (central India) but the stark, rugged scenery was worth it. As the first 70mm film in India and the first to use stereophonic sound, Sholay secured a place in Indian film history.

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Its success derives from a good script which does not allow for a dull moment (full marks to Salim-Javed for doing this), excellent direction and editing and excellent cinematography. While the film was fairly violent it was characteristic of its period. Its legacy however, is the dialogues of the major characters which the producers were able to sell as a separate LP record in 1975 - a first in Indian cinema. A generation later, most Indians who know Hindi understand 'Kitne Aadmi the?'

'Loha Lohe ko Kat taa hai' 'Tera Kyaa Hoga Kaalia' - so much so that these dialogues have entered the lexicon and are frequently used in commercials. RD Burman's music was a big plus with a fantastic score and even better background music. Indeed the background music from the faux 'Western' theme music to music that announced major characters like Gabbar Singh is recognized even after three decades.

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Sholay made the career of Gabbar Singh as the first psychopath on the big screen ( though some might argue that Danny Denzongpa had essayed that in Dhund) in India, though he could never get a comparable role later. Sanjeev Kumar's controlled rage as the Thakur was a close second performance. Dharmendra and Amitabh Bachchan were very good with both exhibiting comedy especially in the water tank scene, though Hema Malini was a bit over the top. The supporting cast of Asrani (jailor), Surma Bhopali (Lumber merchant) and others were very good. A must see that seems to transcend time. I am obviously biased but years of screening this film for international as well as Indian audiences have convinced me of its worldwide appeal.